![]() Nahuel didn’t expect a reply, and was surprised when one came, particularly when it included an invitation to visit the radio station and play something live for Rhodes. “And as he is my favorite composer, I wrote in.” MONTSE VELANDO “One morning he said that Rachmaninov didn’t usually appeal to young people,” says Nahuel. He would spend his Saturday mornings listening to Rhodes’s section on radio program A vivir que son dos días, on the Cadena SER network. Rhodes came to Nahuel’s attention two years ago and quickly turned into his idol. “Meeting him is one of the best things that has ever happened to me, if not the best,” he says. He has improved so much, in fact, that he has just been awarded first prize at the Gran Klavier International Piano Contest in Alcalá de Henares, where he dedicated his win to James. He has taught me to get the maximum musicality out of the piano and enjoy it more. “Since I’ve been coming to see James, I’ve radically changed the way I play,” he says. It’s easier and it sounds better.” Piano student Nahuel Hagelstrom, 15, has dazzled British pianist James Rhodes who is now teaching him a few tricks of the trade. “When you change the note here, do it like this. “Stop, stop,” he says, putting his own hands on the keys next to Nahuel’s. Standing beside him, Rhodes moves a pencil as though conducting. Then, Nahuel sits at the piano, stretches his arms and plays Rachmaninov’s Prelude Op. They are affectionate with one another and make inside jokes about something that happened the previous Saturday. Today is his third, and as soon as he enters Rhodes’s apartment, the complicity between mentor and student is palpable. In the months that follow, Nahuel receives a couple of masterclasses from Rhodes free of charge. Without missing a beat, he invites the boy to his home in the center of Madrid. ![]() It’s the first time he has heard Nahuel play and his rendition of the Russian composer is spellbinding. The famous British concert pianist James Rhodes watches with fascination. His teenage body sways and his fingers run nimbly up and down the 88 keys, playing Rachmaninov. Nahuel Hagelstrom throws himself into the piece.
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